Boy Maybe
51 achingly eloquent poems from a young Cave Canem fellow: W. J. Lofton's verses explore Black queer Southern identity, grief, love, and intimacy while enduring and witnessing unfreedom in America
W. J. Lofton writes vivid, accessible poems that channel the energy, urgency, ambitions, joys, and sorrows of a young Black queer artist. They are about love and flirtation, sweet tea and hot sauce, God and family, life and death, police brutality and extrajudicial killings. His verses honor some of the young lives extinguished by these killings—Breonna Taylor, Kendrick Johnson, Ahmaud Arbery. He also pays tribute to some of the towering figures of Black culture who have come before him—Richard Pryor, Assata Shakur. His style is endlessly propulsive, informed by some of the Harlem Renaissance greats—Langston Hughes, Gwendolyn Brooks—but also transforming that rich tradition for the present day.
51 achingly eloquent poems from a young Cave Canem fellow: W. J. Lofton's verses explore Black queer Southern identity, grief, love, and intimacy while enduring and witnessing unfreedom in America
W. J. Lofton writes vivid, accessible poems that channel the energy, urgency, ambitions, joys, and sorrows of a young Black queer artist. They are about love and flirtation, sweet tea and hot sauce, God and family, life and death, police brutality and extrajudicial killings. His verses honor some of the young lives extinguished by these killings—Breonna Taylor, Kendrick Johnson, Ahmaud Arbery. He also pays tribute to some of the towering figures of Black culture who have come before him—Richard Pryor, Assata Shakur. His style is endlessly propulsive, informed by some of the Harlem Renaissance greats—Langston Hughes, Gwendolyn Brooks—but also transforming that rich tradition for the present day.
51 achingly eloquent poems from a young Cave Canem fellow: W. J. Lofton's verses explore Black queer Southern identity, grief, love, and intimacy while enduring and witnessing unfreedom in America
W. J. Lofton writes vivid, accessible poems that channel the energy, urgency, ambitions, joys, and sorrows of a young Black queer artist. They are about love and flirtation, sweet tea and hot sauce, God and family, life and death, police brutality and extrajudicial killings. His verses honor some of the young lives extinguished by these killings—Breonna Taylor, Kendrick Johnson, Ahmaud Arbery. He also pays tribute to some of the towering figures of Black culture who have come before him—Richard Pryor, Assata Shakur. His style is endlessly propulsive, informed by some of the Harlem Renaissance greats—Langston Hughes, Gwendolyn Brooks—but also transforming that rich tradition for the present day.
About the author:
W. J. Lofton, a Chicago-born poet and multimodal artist, is the author of A Garden for Black Boys Between the Stages of Soil and Stardust. His work explores the intersections of race, class, and gender while focusing on Black queer men’s attempts at intimacy and the tensions and wonders of boyhood. Lofton has received fellowships from Cave Canem and Emory University. A recipient of Ava DuVernay’s LEAP Grant, his work has appeared in TIME, wildness, Obsidian, and Scalawag. He lives in Atlanta, Georgia, where he co-curates Rebellion: A Writing Salon.
